暗く長い不在の後、元のルーチンを回復しようとします。

Ganbatte kudasai, Issao!

Old Man.

Just a doodle that (maybe someday) become something.

J. C.

David Keith Lynch

Watch the movie of the Dane Nicolas Winding Refn, based on a true story.

Tom Hardy

Interdum defectum me tangit continuitatis alte.

Skateboarding Tentacles.

Há muito tempo que eu não pratico esse puta esporte.

Se não pela idade, talvez pelo peso – hah!

E eu confesso que me faz muita falta.

Mas deixando as idiossincrasias de lado, fiz esta ilustração quando me deparei acidentalmente com esta foto que me serviu de gatilho.

Autoria do fotógrafo turco (de Istambul), Kaan Kiran.

(Considere a licença poética, claro).

Long ago I did not practice this fucking sport.

If not by age, perhaps by the weight - hah!

And I confess that I already miss.

But leaving aside the idiosyncrasies, I made this illustration when I accidentally came across this picture that served me as a trigger.

The author is the Turkish (from Istanbul) photographer, Kaan Kiran.

(Consider the artistic license, of course).

A Tribute to Al Columbia / Um Tributo a Al Columbia.

A minha modesta homenagem a Al Columbia.

My humble tribute to Al Columbia.

Midget.

Hello to whoever is out there – if indeed there is still someone, of course.

Following a brief update regarding the description of a dream that I thought (at least) fun for a quick exercise.

Obviously, this will make more sense if you have the energy to take a look at the original source of my brother-in-arms Amoraes.

And remember, make sure that your windows are tightly closed at night.

Just in case.

A proposta consistia em cada artista convidado desenvolver sua interpretação do logo da emissora no contexto de sua própria linguagem de trabalho.

A minha (tentativa) foi a de criar um poster na com características do (proto) construtivismo russo.

A figura que ilustra o tema, é uma homenagem ao jornalista paulista Hélio Ansaldo, o primeiro apresentador da TV Record e anfitrião da primeira transmissão da mesma.

Os caracteres “subjetivos” compõem os dados técnicos desta estréia, que remetem ao local, data e hora dessa primeira transmissão.

As cores foram escolhidas com o propósito de remeter a um aspecto mais característico da art pop e, portanto, o conceito de comunicação de massa e tudo o que implica este meio.

A premissa deste trabalho na hora do convite, era desenvolver sua confecção em serigrafia artesanal.

No entanto a volatibilidade de tempo hábil não conferiu uma solução melhor que esta presente.

This work was done under the ordering of the architect and designer Mauriomar Cid to a Record Broadcasting ´s event.

The proposal consisted of each guest artist develop his interpretation of the broadcast tv’s logo in the context of its own working language.

My (attempt) was to create a poster with the characteristics of (proto) Russian Constructivism.

The figure that illustrates this topic is a tribute to the journalist Hélio Ansaldo, the first presenter of  the Record Broacasting and host of the first transmission of the same.

The characters ‘subjective’ component technical data in this release, referring to the place, date and time of first transmission.

The colors were chosen with the purpose of referring to something more characteristic of pop art, and therefore the concept of mass communication and all that implies in this media.

The premise of this work at the time of the call was to develop its production in handmade silkscreen.

However the volatility of able time didn´t confer a better solution that´s present here.

Certo. O que apresento desta vez é: a tentativa de uma sincronicidade cromática entre eventos.

Aprecie com moderação.

Returning from where we stopped … this is the second page of Grab – a comic book work in completion process with the wicked aesthete, buddy, Amoraes. I had already recommended a visit to him digital codex …?

Right. What I present this time is the attempt to a chromatic synchronicity between events.

Enjoy in moderation.

A coisa (peça) deveria ser sintetizada em uma única página, colorida e enviada para impressão.

Como sempre temos uma carta escondida, demos o nosso lance.

Funcionou, ao que parece.

Fotoregistro a caminho.

Me, and my inbred-of-Arms Amoraes, in last April / May we´re invited to participate in an exhibition of comics – parallel to the 3rd National Seminar on Research in Visual Culture at the School of Visual Arts at the Federal University of Goiás this invitation made by Guilherme Gardinni, cultural producer of film, animation, comics, editor of the Grande Clã and a cool guy.

The thing (piece) should be summarized in a single page, colorful and sent for printing.

As always we have a hidden letter, we made our bets.

It worked, apparently.

Photorecord underway.

Já esta, hoje, incuba seus últimos ciclos no limbo pré-luz.

Na ocasião, ainda não se haviam feitas presentes. As cores.

Portanto, êi-las.

On the eleventh day of the eleventh month of the second millennium and ninth year of Aera Vulgaris, I presented a shy part of the process that comic book of four pages – an endoapocametalinguistic manuscript by Amoraes, which I recommend (strongly) to pursue the discovery of their short stories serialized or not.

Already this today, this comic book page incubates its last cycle in limbo pre-light.

On occasion, they had not yet made them present. The colours.

So here it is.

Fiando-me em sua discrição e nos poupando de constrangimentos.

Sendo assim, seja cauto e não olhe pra trás. Confie.

Right. I´m back.

Relying on your discretion and saving embarrassment.

So be cautious and don´t look back. Trust.

Brush painting (ink), ink (undiluted), charcoal, correction pen, brush, nib and pencil on sketchbook.

Pastels and pencil on Tiziano´s Fabriano paper.

Felt tip pen on sketchbook.

Felt tip pen on sketchbook and Adobe Photoshop.

Ink, collage and acrylic gesso on cardboard.

Ink, collage, acrylic gesso and typing on cardboard.

Felt tip pen on sketchbook.

Felt tip pen on sketchbook.

Felt tip pen on sketchbook.

Felt tip pen on sketchbook.

Felt tip pen on sketchbook.

Felt tip pen on sketchbook.

Felt tip pen on sketchbook.

Felt tip pen on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Ink and brush on sketchbook.

Acrylic and watercolor on cardboard.

Oil pastels, marker pen, ink, gouache and correction pen on canvas paper.

Watercolor on cardboard.

Oil paint, acrylic, watercolor, ink, pen and ink, pastel and gouache on Canson´s paper.

Oil paint, acrylic paint, oil pastels, pastel, gouache, ink, correction pen, collage, acrylic gesso and staples on Shoeller´s paper.

Oil paint, acrylic paint, oil pastels, gouache, ink and correction pen on Canson´s paper + Adobe Photoshop®.